summary: au in which arthur returns from camlann. snippets of domestic fluff
author’s notes: inspired by conversations with F so much so that i stole her universe and the names.
The way I work, typically, I do everything at the very last minute. Even if I was given two months, I’d do it in the last three days.
Embroidered details in Game of Thrones
‘Michele Carragher is a London-based Hand Embroiderer and Illustrator who has been working in costume on film and television productions for over 15 years. She studied Fashion Design at The London College of Fashion, where the course incorporated design, pattern cutting, garment construction, embroidery, millinery and illustration. At the same time she attended a three year evening course in Saddlery at Cordwainers College learning skills in leatherwork.
After leaving college Michele worked in Textile Conservation, repairing and restoring historical textiles for private collectors and museums, specialising in hand embroidery. She then moved into a career in costume for film and television, initially working as a Costume Assistant/Maker on productions such as the BBC’s Our Mutual Friend, ITV’s David Copperfield and Mansfield Park. She soon gravitated towards the decoration and embellishment of costumes, using skills in hand embroidery and surface decoration, taking inspiration from the many historical textiles she had encountered working as a Textile Conservator.
The first production that saw her undertake the role of a Principal Costume Embroiderer was for HBO’s 2005 Emmy Costume award-winning production of Elizabeth 1. Her most recent work has been on HBO’s 2012 Costume award-winning television series Game of Thrones, working on all three seasons.
As a Costume Embroiderer Michele specialises in hand embroidery and surface embellishment, using traditional hand embroidery techniques, smocking, beading and surface decoration. She works directly onto the completed garment or starts with motifs and textures on silk crepeline/organza, which are applied to the costume and then worked into once on the actual garment. She also works on existing machine embroidery designs that are not too dense, adding some hand stitching and beading to give a more authentic, hand-finished look.
Michele finds hand embroidery has more flexibility and diversity than that of embroidery created by machine, as there is a greater variety of thread choice and colours to use. It is also possible to work more easily on garments that are already constructed. However, machine embroidery in combination with hand work can be very useful when completing many repeats by creating light outlines or a less dense machine stitch, work can then be completed by hand and again can be carried out on a finished garment.
Michele is a highly creative Costume Embroiderer, producing original designs as well as working closely to a costume designer’s brief to create their desired look.’
Text and images from http://www.michelecarragherembroidery.com
God, that embroidery is so gorgeous! I had no idea that third dress was so detailed after seeing it on the show… Amazing work.
It’s a monumental overask to expect women to be gentle with the egos of men who only feigned friendship in order to get laid.
Since the beginning of the settlement enterprise, Israel has not constructed advanced regional wastewater treatment plants in the West Bank settlements as it has done inside Israel. Only 81 of the 121 settlements are connected to wastewater treatment facilities, and even these are outdated, frequently malfunction and shut down, and are not able to treat the necessary amount of sewage. Of the 17.5 million cubic meters of wastewater created annually by the settlements, 5.5 mcm flow as raw sewage into West Bank streams and riverbeds. The Israeli Ministry of Environmental Protection has failed to take serious enforcement actions against settlements.
The first victims of the neglect of wastewater treatment are Palestinians, primarily residents of small towns and villages, who depend on water from natural sources - springs and wells - whose pollution causes disease and harms crops. Because settlements are generally at higher altitudes, their untreated wastewater flows down to nearby Palestinian communities.
Photograph: A Palestinian farmer checks his destroyed crop as raw sewage from the illegal Jewish settlement of Elon Moreh flows through his olive grove, close to the Palestinian village of Deir al-Hatab in the Israeli-occupied West Bank, October 26, 2010. The Israeli army regular denies residents access to the grove for ‘security reasons’, despite the land and all surrounding areas belonging to Palestinians. The residents discovered thousands of destroyed olive trees on this rare occasion that they were allowed to enter their own farmland. (Getty Images)
A List of Fictional Ladies → Nikki (Misfits)
Uh, you just told me I’ve inherited this power to teleport from a guy whose heart was transplanted into me, and now you’re just gonna fuck off and leave it at that? Well, fuck you very much.
last year a big group of girls in my class were all talking and this one girl was like “im bisexual” and all the girls like stared at her and then the girl goes “dont worry im only attracted to pretty girls” and i was like did she just burn every girl in here i think she did
sansa stark is the key to the north
Brienne’s story is an adaptation of a traditionally male narrative, one that usually sidelines or victimises female characters. She swears fealty to a woman, as male knights swear to their liege lord, because she respects that woman’s strength, her bravery and her kindness. She goes on a quest to save the beautiful maiden, but not to marry her or benefit from the quest in any way, but to return her to her mother. Because she cares for Catelyn, and because it is the right thing to do. It is a story of a woman, rescuing a woman, for the sake of another woman. It is a rare story where the mother, the young girl and the shieldmaiden are all given equal weight and worth. Brienne, despite taking on many stereotypically male traits, is not “one of the boys” or in any way dismissive of her gender as a group. She does not fit into the role that society has assigned for her, but she does not disparage those who do. She uses her strength and her skill to respect and help other women in ways that most men in Westeros would never even think to attempt, because she understands, more than any other knight, that women are truly worth something as individuals.